I’m using Zebrawood for the fingerboard on Guitar #57. I dimension out a rough fretboard blank, cut the fret slots and shape the board.
Design
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Q&A – Pickguards, Rosettes, and $20k GuitarsRead moreQ&A – Pickguards, Rosettes, and $20k Guitars
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Binding Guitar No. 57 with Flamed MapleRead moreI install wood bindings on a florentine cutaway guitar.
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Florentine Cutaway Tip Binding on Guitar No. 57Read moreI cut a channel with a gramil and a chisel and bind the tip of the florentine style cutaway with flamed maple strips on guitar #57
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Cutting the Binding Channels on Guitar No. 57Read moreI rout out the binding ledge for curly maple binding strips using a binding tower system, and I talk about the importance of minding grain direction among other things.
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Making a Simple End Graft for Guitar No. 56Read moreI create and install a decorative end seam inlay for guitar #56
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Making the End Wedge on Guitar No. 57Read moreI create and inlay a decorative endwedge to cover the end seam out of Tiger Myrtle burl and flamed Maple binding strips.
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Q&A – Bridge Weight, Headstock Angles, and Carbon FiberRead moreQ&A – Bridge Weight, Headstock Angles, and Carbon Fiber
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Reflections – On the Origins of the Flamenco GuitarRead moreReflections – On the Origins of the Flamenco Guitar
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Q&A – Side Slat Layout, Spanish Cedar Necks, and Bending MahoganyRead moreQ&A – Side Slat Layout, Spanish Cedar Necks, and Bending Mahogany
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Q&A – X-bracing, Taptuning, and Lattice BracingRead moreQ&A – X-bracing, Taptuning, and Lattice Bracing
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Q&A – Buffing Tru Oil, the 14th fret hump, and the best woods for side bendingRead moreQ&A – Buffing Tru Oil, the 14th fret hump, and the best woods for side bending

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